Shelf

Coordinates of attention

Not a canon — a working library. Five per shelf, only what still earns return. Dated lists run oldest to newest — how the work entered the world.

Books

Total form, then method. How I think about models when the map stops matching the terrain.

Films

Obsession first; the dignity of attention last.

TV Series

Power as process, not plot twist — institutions co-producing outcomes, not heroes alone.

Music Albums

Formal risk with feeling intact. Devotion to structure across decades and languages.

Magazines

How I track the world on paper. Open what orients the week, not what fills a syllabus.

What I carry on the road is on places; what I do with the body on Body; the models I navigate by on frame. Different maps, one habit: pay attention to structure.

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